NEW RARE ORIGINAL GENNADIY IVANOV Time For The Da Vinci Code Oil PAINTING

  
A rare opportunity to acquire an incredible original Gennadiy Ivanov painting. "Time For The Da Vinci Code". "Time For The Da Vinci Code" by Gennadiy Ivanov M. Stunning new Painting - Signed by the Artist!

Gennadiy Ivanov paintings are in many private collections Worldwide, including celebrities and Royalty. Times have changed dramatically and radically. The time that we got for living is no longer configured to endure half-tones and understatements. It requires us to express everything to the end. The whole "creed", to the last letter.

It requires us to be in the most decisive sense. And right now on our eyes, people are making choices. Many intelligent people in suits with prestigious diplomas suddenly fall down on all fours and begin to grunt, looking for a weaker victim with bloodshot eyes. By the internationally acclaimed, Multi Award Winning, Leading Russian Artist Gennadiy Ivanov M. Measurements; 35 inches x 45 1/2 inches. (89 cms x 116 cms). An Amazing Blue Chip Investment Opportunity to Acquire an Original Gennadiy Ivanov M. Invest in one of our paintings, rather than risky bank investments, where you can actually touch your investment. Take pleasure in looking at it and watch it appreciate in value over the years!! G only one of it's kind in the world!! Scarcity alone guarantees the investment!!!

Art has long been regarded as a strong and safe investment. Investment in paintings was discussed recently on Bloomberg television as a sound investment as a hard asset like Gold, Platinum Silver etc.

Go to Latest Art news on Asgard Arts and see Hang your investments on the wall by Ellen Kelleher Published October 22 2010 in the Financial Times. Gennadiy Ivanov is a UK-based artist. Originally from Belarus, born in Russia. Graduated with MAFA from Norwich University. He is the artist with synthetic thinking and a technique artist. This allows him to work simultaneously in several directions and styles. His paintings demand from a spectator intellectual as visual and emotional effort.

Gennadiy's works is a wide variety of media, including paintings, installations, drawings, and photography. Bringing these media together into a provocative collision. Gennadiy's work mine a territory defined by not only the Spector's of recent world political history but also the deeply flowing social veins of underground style as manifested in the popular culture realms of street art fashion and experimental dance and music. Gennadiy's works walk a tightrope between Russian-West-East remembrance and the rigorous anti-logic of dream analysis while also touching on art historical references ranging from Van Gogh to Frances Bacon.

It might be possible to trace Gennadiy's focus on the vagaries of memory, history and subcultural style to his parallel life as a poet, fiction writer, and historian. The artist brought into proximity a series of canvases that ranged from quasi-psychedelic non-representational liquid (oily) pours to expressively figurative large-scale canvases. The artworks painterly invocations of phyla-political analysis of the history of the 20-21st century globalist's masculinity. To his credit, he creates a level of narrative ambiguity in these works that is suggestive without being dogmatic.

Transitions' an interdisciplinary an art-science project. Why is this Climate Change activity important for my artistic development? Just one year ago, the world's climate scientists issued a stark warning - their starkest of many previous - that there are only 12 years remaining in which the take the necessary action to limit global warming to a level where the most catastrophic consequences can still be avoided. I believe this requires an unprecedented mobilization of all sectors of the community. Artists can play an important role in raising awareness and inspiring action.

I would like to devote a significant part of my activity over the next years to this overwhelming threat and challenge to global well-being. I believe I have the appropriate techniques and skills to make a difference, especially when coupled with the expertise, experience and advice of scientists with a powerful background in climate science.

These connections will give me access to many aspects of climate research around the world. I want to be able to capture and represent subjects which give a strong sensory message about climate change, its threat and coping strategies. For that reason, I will be visiting a country where the impacts of climate change will be amongst the greatest: Canada.

I will witness scientists work in forests, in snow- and ice-fields, in torrents, and sites of great drought. I will see, and talk to, communities which have been devastated by the extreme events nested in global warming. On a second trip, I hope to observe that iconic symbol of climate change: the polar bear as it waits (increasingly forlornly) for its millennia-old winter life-support platform of sea-ice to form.

I will learn how to meld such dramatic messages from another place to equally-dramatic, but less visual and consequential, in Norfolk. This will mirror the scientific connection. Prof Trevor Davies, who spent most of his career based at UEA, employed Prof John Pomeroy as a young post-doc.

They worked together around the world, but especially in Canada. Prof Pomeroy is now Director of the Global Water Futures programme with 125 partner institutions throughout the world. Both are committed to continued collaboration with me, both for the first phases of this project and as it grows through future transitions - in scope and geographically. A brief summary of partners' recent experience in managing similar types of activity.

Neither Prof Davies nor Prof Pomeroy have been directly involved in art projects before. However, they have both been heavily-involved in public engagement. Prof Davies has been involved in many engagement events during his time as Director of the Climatic Research Unit, Dean of the School of Environmental Sciences, Pro-Vice Chancellor for Research, Enterprise and Engagement, all at UEA; UK Natural Environment Research Council Member, and Director of the Fudan Tyndall Centre in Shanghai. Similarly, Prof Pomeroy's roles as Canada Research Chair in Hydrology and Director of the Global Water Futures programme has public engagement at their cores. Both have extensive experience in managing large-scale international research programmes. Taken together with their research expertise's in climate, hydrology, snow/ice dynamics and chemistry, and atmospheric processes, they will prove (indeed, already have) effective partners for this project. They are both seasoned expedition leaders. 2009 Member of The Outpost Studios. 2017 Member of Norwich 20 artists group. 2021 Nominated for the Norfolk Arts Awards. The Visual Art Award 2021. 2021 Transitions project, COP26, Glasgow.

2021 Transitions project, Norwich, Undercroft. 2020 Transitions project, London, Rossotrudnichestvo, November. Transitions' solo exhibition, The Hostry, Norwich Cathedral.

2018 Solo exhibition'Bedlam - Triangle' The Undercroft Gallery, July. 2017 Curating exhibition'The Art of Revolution', September, The Undercroft. The Norfolk arts awards 2016.

The EDP People's Choice. Nominated as a Best artist with Asylum exhibition by public. 2016 Curated the'Asylum' exhibition, The Undercroft gallery, Norwich. 2016 Curated of the'Beneath of the surface exhibition', The Undercroft. 2015 Curated'War and Peace' exhibition, the Undercroft gallery, Norwich.

2012 Artist of the week: February: Saatchi-online. 2012 Paintings Commission "Ideas factory NUA", Norwich.

2012'Cork street Open Art Exhibition'-short-listed. 2011 Wins Mural for The Brigade Restaurant, Old Fire Station, Tooley St.

2011'The National Open Art Competition' - short-listed. 1990 "Soul and body", first prize, Belarus.

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